Carl Orff - Carl Orff Catulli Carmina Trionfo Di
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Carl Orff:
Catulli Carmina/Trionfo Di
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Music Release Date :
1996-01-16 Studio :
Angel Records Label :
Angel Records Avg.
Customer Rating : (2
reviews)
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Reviews Customer Reviews
for Carl Orff Catulli Carmina Trionfo Di
Afrodite A Great
Performance of the Little Heard Carl
Orff Rating: It
may come as a surprise, if not disappointment, to many that
Carl Orff wrote his Cartulli Carmina and Trionfo di Afrodite
(Triumph of Aphrodite) as the second and third parts of a
triptych, after the boisterous fun of Carmina Burana. By
comparison, the latter works have never had the popularity of
Carmina Burana. However, if as one listens to Catulli Carmina
and the Trionfo over time an appreciation of Orff's different
orchestration and use of voices can be appreciated. This is
actually more typical of Carl Orff than Carmina Burana.
Catulli Carmina is a play within a play; it consists of a
prologue, three short acts and an epilogue. At the start,
young couples profess their undying love only to be ridiculed
by a group of old men who know better. They exhort the young
people to watch a play on the experiences of Catullus and
Lesbia, to know what love is all about. The play commences
with Catullus' famous Odi et amor poem and follows his affair
with Lesbia, whom he rejects at the end of the play. All of
this is to no avail, as the young couples merely profess their
undying love for each other to the chagrin of the old men. So,
the views of romantic love and sexual attraction, and their
views between young and old, remain unchanged. The
orchestration is quite sparse: four pianos and percussion.
The Trionfo di Afrodite is another dramatic performance of
love from the perspective of marriage rites from ancient
Greece. The texts set to music include Catullus' wedding
songs, some of the fragments of Sappho and a chorus from
Hippolytus by Euripides. There is a distinct touch of ritual
in this piece where the Chorus Leader (bass Alfred Reiter)
declaims his lines with the rest of the chorus replying to
him. The climax comes with the appearance of Aphrodite
herself. Orff used a large orchestra with three pianos but the
voices are of highest importance.
This recording by Franz Welser-Most is among the best and
is superbly recorded. For someone wanting to give further
investigation to the music of Carl Orff, look no further.
Customer Reviews for Carl Orff Catulli
Carmina Trionfo Di Afrodite
Cd Terrific recording
of Carl Orff's forgotten
masterpieces Rating: Catulli
Carmina and Trionfo di Aphrodite are the second and third
cantatas making up Orff's triptych, which he gave the
collective title Trionfi. Carmina Burana has all but eclipsed
both of these works but they are both very deserving of a
wider audience.
Catuli Carmina is a play with a play with a group of young
men and women professing their undying love for each other
being watched by world-wise old men. The old men laugh at the
presumption of "undying love" and recommend the young people
take in the experince of Catullus (the 1st century B.C.E.
Roman poet)and his unhappy love affair with Lesbia. They all
watch a play drawm from the poems of Catullus are sung by the
poet himself and his love. But are they convinced?
The Trionfo di Aphrodite examines marriage through the eyes
of the ancients. Orff set poems of Sappho, Catullus and a
portion of Euripides' Hippolytus to music. The work proceeds
from a wedding procession and ceremony to an ecstatic
appearance of Aphrodite herself. The leader of the chorus is
prominent in a speaking part that sounds like the invocation
of ancient mysteries. The beauty of the music comes in the
marriage of words and the colors of the orchestra.
Repeated hearings of these works are very rewarding and the
subtlties of Orff's orchestration need to be heard more than
once to take in the colors he lends to the words. For me,
these works are a celebration of ancient literature and
civilization. Carl Orff brings us into his idea of the ancient
world and he succeeds
brilliantly.
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